The Girl From Plainville Review: Elle Fanning anchors a heavy-hearted true-crime series

Conrad Roy III, known to his family as “Coco,” was an 18-year-old from Mattapoisett, Massachusetts who committed suicide in July 2014. After his death, it was revealed that his girlfriend, Michelle Carter, from nearby Plainville, had repeatedly texted, phoned and emailed Roy about killing himself. On their last phone call, she ordered him back into the truck, which he had left behind in fear as it filled with carbon monoxide. In 2017, Carter stood trial for involuntary manslaughter for her involvement in Roy’s death in what became a high-profile and precedent-setting trial.

The sad, complicated tragedy of Carter and Roy has been told many times. There was a Lifetime movie starring Bella Thorne and Austin P McKenzie in 2018, Conrad & Michelle: If words could killand a 2019 HBO documentary, I Love You, Die Now: The Commonwealth vs. Michelle Carter. There was also a sensitively written 2017 esquire feature film by Jesse Barron, the girl from plainville who inspired and shaped this new Hulu adaptation from writers Liz Hannah and Patrick Macmanus. While the empathetic series doesn’t go so far as to offer Carter forgiveness for the horrific crime she was eventually convicted of, it does offer a modicum of understanding of how and why this teenage tragedy unfolded.

Central to this performance is Elle Fanning’s nuanced portrayal of Carter herself. Given the subject matter, it’s not surprising that Fanning has less freedom to enjoy herself than she does on her other Hulu show, the sharp-witted historical comedy The great. This performance needs to be more subtle and controlled, and Fanning rises to the challenge with her uncanny ability to portray Carter’s inner turmoil. She is a young woman losing her balance in her own head. In a creepy early scene, she rehearses her grief along with a scene Joy, before descending into a sinister rendition of “Make You Feel My Love.”

The rest of the cast is of the high standard set by Fanning’s acting masterclass, particularly Colton Ryan, who fills Roy with a deep and soulful sadness. Chloë Sevigny paints a heartbreaking portrait of grief as Roy’s mother, Lynn, especially as she struggles to come to terms with the fact that Roy left suicide notes for Carter and for his father, but not for her. Elsewhere Peter Gerety does remarkable work (The cable‘s judge Daniel Phelan) as Roy’s distraught grandfather and Cara Buono (The sopranos Kelli Moltisanti) as Carter’s checked-out mother.

For the most part, the series, which is due out in the UK later this year, plays the story straight through, although there are occasional touches of magical realism, such as: For example, a song and dance number to REO Speedwagon’s “Can’t Fight This Feeling”. , a nod to Carter’s ongoing obsession with joy. A more divisive artistic decision is the decision to portray Carter and Roy’s many text conversations as if they were speaking face-to-face. These scenes are captured with a warm light that suggests they both created a fantasy version of the other, but the result is an impression of intimacy at odds with the facts of the case. Carter’s hundreds of messages urging Roy to kill himself were not delivered face-to-face but from the disembodied distance of a phone screen.

If you would like to speak to anyone about any of the issues raised in The Girl From Plainville, you can contact themSamaritan hotlineby phone on 116 123. The helpline is free and available 24 hours a day, all year round.

You can also contact Samaritan by emailjo@samaritans.org. The average response time is 24 hours.

https://www.independent.co.uk/arts-entertainment/tv/reviews/the-girl-from-plainville-elle-fanning-b2045664.html The Girl From Plainville Review: Elle Fanning anchors a heavy-hearted true-crime series


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