John Fogerty proves Creedence Clearwater Revival has as many hits as The Beatles

It’s hard to overstate the appreciation of California’s own southern rock giants Creedence Clearwater Revival by a new generation of musicians. “Not long ago I read something on Twitter about how the Beatles aren’t even Creedence Clearwater Revival, and you know, in a way they really aren’t,” said 32-year-old Kentucky songwriter Ian Noe recently The Independent. “The Beatles didn’t have ‘Up Around The Bend’. They didn’t have a bad moon rising. It’s a whole different thing, and most of the time they did it in less than three minutes.”

It’s a big claim, but one that Creedence frontman John Fogerty maniacally wanted to prove on Saturday night (July 30) at the Hollywood Bowl. Fogerty has been keeping the band’s flame alive since he acrimoniously parted ways with original members bassist Stu Cook and drummer Doug Clifford in 1972, according to Grund; there’s a hell of a lot to get through.

Opener “Up Around The Bend” sets the tone, with Fogerty’s glorious guitar riff backed by a jet of pyrotechnic flames. His voice still sounds sharp and crystal clear, although he nods to the marks of age by telling the audience, “I’m so happy to be back at the Hollywood Bowl… I’m happy to be playing music everywhere to tell you guys.” Truth.”

More hits followed, including the swamp rock classic “Born On The Bayou” and CCR’s debut single “Suzie Q,” after which Fogerty self-deprecatingly recalls feeling like a “one-hit wonder” when it made the band a name in 1968. Fogerty’s winning, exuberant stage singing pleases audiences, as does his song choices, and he delights audiences by revealing that he’s holding the same guitar he played at Woodstock before he died his festival-inspired 1970s song “Who’ll Stop” is overtaken by Der Regen”.

“Looking Out My Back Door” is another of the top five singles produced from the definitive 1970s CCR record Cosmo’s factory. The album takes its name from the Berkeley warehouse where Fogerty brought the band to practice every day and references the songwriter’s prodigious production line of ear-splitting classic rock tunes. These days, Fogerty has recruited his family members as collaborators: sons Shane and Tyler handle the guitar work alongside their father, and they’re joined by daughter Kelsy and even dog Creedy (short for Creedence, of course) for a rare non-hit on the setlist: 1997’s Solo track “Joy of My Life,” which Fogerty dedicates to the woman who inspired him: his 31-year-old partner Julie Kramer.

There’s still time for a handful of more electrifying hits from Fogerty – including a magical “Down On The Corner” and the Vietnam anthem “Fortunate Son” – before closing with the masterful combination of “Bad Moon Rising” and “Proud Mary”. . By this point, Fogerty has established beyond a doubt that he wasn’t a one-hit wonder, and indeed makes serious claims to the title of Great American Songwriter. Like the twin lava lamps he arranged on either side of his band’s drum kit, he’s a piece of American history that still looks groovy as hell.

https://www.independent.co.uk/arts-entertainment/music/reviews/john-fogerty-live-review-2022-los-angeles-b2136171.html John Fogerty proves Creedence Clearwater Revival has as many hits as The Beatles


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